As a composer, Mark is assured and confident, but it's his deliberate use of quirky melody lines which I believe makes his work stand out to potential clients. An ordinary sounding melody needs only one note changed to become a different beast altogether, and Mark seems to be a master of this trick. 

John Harris
'Sound On Sound' magazine

 It is a good classy product and it sounds professional. 

Producer John Leckie
(George Harrison, John Lennon, Pink Floyd, Stone Roses, Radiohead, Muse)

 I really enjoyed this and I think that it is probably one of the best things I've heard... Mark's tracks all have a recognisable style, a style that seems to be quite unique to him — a hard thing to achieve. 

Felix Cemmell
‘The Wire’ magazine

 These are fantastic tracks. It was a nice mixture of styles and the production was excellent. 

Jo Harrison
Abbey Road Studios, BBC Music Live, DAT Productions

 There is a healthy kick going on here, akin (in parts) to some of Goldie's mellower moments. 'The Beat That Time Forgot' is a mesmerising yet lilting piece, with hypnotic, expertly programmed drum parts and sublime orchestration. 

Nick Serre
'The Mix' magazine

 This music is quite liberated from convention. 

Jona Lewie
‘Ivor Novello’ award-winning songwriter